Austin Coven kicks the new year into full gear with pulsating new electro pop tune, “Rubbing Alcohol,” for the dancefloors.
Autogramm, synth-poppers, have just released their latest single, “Diana," continuing their tradition of crafting sing-along new wave anthems.
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On 'Yoreself,' Beatnik Neon is able to stand above your standard electronic-based music, successfully combining a number of different genres.
Blick Bassy unveils his latest single "Todè" an enchanting single exploring themes of awakening to the beauty of nature.
Rare DM's new single "The Ring" is an electronic odyssey about the mayhem that erupts trying to fix something when it should have just been left alone.
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Funk Wav Bounces Vol. 1 is a short, slight detour from what Calvin Harris is normally known for. It's generally enjoyable but doesn't leave much of a lasting impression or take many risks. Here's to hoping for more from Vol. 2.
"Love Is All I Need" is a seamless blend of emotive songwriting and danceable energy, that set the stage for HWIN's solo artistry.
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Chris Ianuzzi continues his series of successful experimental electronic singles with "Hunger."
Chromatics' set was beautiful to experience—the sounds, the lights, the feeling of being in an ’80s-inspired arthouse-meets-noir film. Every member played their part to a tee—at once intriguing, entertaining, and drawing the entire crowd deeper into their world.
Clean Bandit have made a name for themselves thanks to some massive singles but outside of those hits, 'What Is Love?' doesn't deliver anything new or different to the dance scene.
Check out our sit down with Ella Rosa, a rising electronic/soul/R&B artist. We talked about her upcoming new EP 'Anxious Attachment Style,' starting out in Opera, blending Dance/Electro with R&B/Soul, moving from the U.K., and much more.
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Australian trio D.E.L. are able to inject an element of personality into the modern dance formula with their latest single, "Yoko."
Up and coming electronic pop musician Austin Coven blasts back onto the scene with “Cherry Bomb Explosives.”
Basile3's sugary addictive track "Love Machine," is a refreshing take on hyperspeed electro, adorned in euphoric trance synths.
Mádibá Ni Mbondi emerges as a groundbreaking collection from Blick Bassy, merging soul and intricate electronic compositions.
Broods' latest reaches some incredible heights, and while the rest of the album doesn't quite live up to those few moments, 'Don't Feed The Pop Monster' is still a compelling blend of indie pop and electronica.
Mentalized is an evolution in attitude, sound and style that sees Skeleten emerge as a unique chronicler of contemporary living.
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Carnage's "Battered, Bruised, & Bloody" is a largely forgettable collection of generic trending beats, repetitive songwriting, and weak features.
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New York artist/composer Chris Ianuzzi continues with his intriguing electronic explorations on "Edge of the Earth."
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Chris Ianuzzi delivers two dark tracks that could fit perfectly among any recent thriller/horror movie soundtrack.
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Everything Chromeo has to offer here is so shallow and devoid of any real soul that not even their varied array of guest features could do much to save it. All this album did was make me want to listen to some real funk.
Quebec composer and synthesizer Nick Schofield has returned with his third and final single, "Meadow", off his new record Ambient Ensemble.
Check out our sit down with rising pop singer Lyrah, where we talk about her new EP 'Drain My Bank Account', coming from the world of tech at Meta/Facebook, blending dance and pop, and more.
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Dada Life's "Our Nation" is enjoyable in that it's more Dada and they do those monster, face-melting songs as good as anyone out there, but the album as a whole feels a bit too formulaic and at times outdated compared to where everyone else is in EDM.
