"It’s You" is the brand-new track by lo-fi queer pop producer Susan Bear, a mad nostalgia trip taking cues from club and dance music.
With 'Hauntology,' Abiura delivers a true Halloween soundtrack that invokes some true ghosts of Modernity in the 21st Century.
On her latest single, "Come Back To Earth," ADVIKA covers quite a wide musical ground on this electronic-based ballad.
Akira Rabelais - a composer/software developer/project manager(?) who exudes mystery and tongue-in-cheek-references in everything he does, makes you walk through forked paths, all inspired by one of his favorite writers, Jorge Louis Borges.
Alison Wonderland's sophomore effort is a crazy mix of wide ranging sounds that kept me on my toes throughout, not really knowing what to expect next. I'm not the biggest EDM fan but I really enjoyed her brand of music and I never would have guessed that someone could make me like a Chief Keef EDM song as much as I did.
Rising alt-pop singer and songwriter Maddie Regent reveals her brand new EP, Girl of Your Dreams, a shimmering, electro-pop wonderland.
What do you get when you combine the pop of Blondie and Portishead’s trip hop grooves, with some film noir music flair? Essential listening from Australia's Amanda Easton.
"Choose Your Weapon" by Scaramanga Silk, who has just seven listeners a month on Spotify, was recently, bizarrely, snapped up on Discogs, selling for over $41,000.
With "Alaye," Ansa GaRangDengZhen, aka Zen, shows how a folk electronic music combination should really be done.
Autogramm, synth-poppers, have just released their latest single, “Diana," continuing their tradition of crafting sing-along new wave anthems.
Broods' latest reaches some incredible heights, and while the rest of the album doesn't quite live up to those few moments, 'Don't Feed The Pop Monster' is still a compelling blend of indie pop and electronica.
Carnage's "Battered, Bruised, & Bloody" is a largely forgettable collection of generic trending beats, repetitive songwriting, and weak features.
1st Base Runner delivers some really good brooding electronica on his latest two singles, as precursors to much more to come.
On 'Aftertouch,' Absolutely Free successfully combine experimentation with straightforward melody.
Afternoon Bike Ride delivered a true delight with 'Glossover', an album that keeps on revealing its delicate layers with every play.
On his latest album 'Themselves,' al Riggs is able to successfully (and with excellent results) navigate through six different personalities.
From opening with a Cello performance to playing songs from her recent album, everyone enjoyed the vibes. Alison felt the support from her fans which moved her to tears later in the show. Check out our full gallery of shots and be sure to catch her on tour.
Lucie Antunes is back with an exciting new vision on her latest single "Luchadora", a frenetic club anthem.
Ambient musician LFZ has opened his world to us with his new single and accompanying video for "View From Here."
Animal Collective's reissue of 'Spirit They’re Gone, Spirit They’ve Vanished' features brand-new artwork, a host of previously unreleased tracks, and they're also set to release a new EP alongside it.
Arandel's ‘InBach Vol. 2’ has the capability to appeal to those who like both modern and more classic sounds.
On 'Yoreself,' Beatnik Neon is able to stand above your standard electronic-based music, successfully combining a number of different genres.
Funk Wav Bounces Vol. 1 is a short, slight detour from what Calvin Harris is normally known for. It's generally enjoyable but doesn't leave much of a lasting impression or take many risks. Here's to hoping for more from Vol. 2.
New York artist/composer Chris Ianuzzi continues with his intriguing electronic explorations on "Edge of the Earth."