Staple crowd pleasers like “K.D.V.” and “Middle Fingers” were expected features of the set, but MISSIO's true measure of growth came in the final song of their set: “I See You”, and the emotional side of the band translated perfectly live.
Electric Daisy Carnival steps up and sends aid to the Bahamas and those affected by Hurricane Dorian
The company that promotes and organizes the Electric Daisy Carnival has decided to donate 1,000 tents to the benefit of the Bahamas residents who were displaced by the Hurricane Dorian.
Johnny Labelle’s 'XVIII' is in many ways like the reflection of the year of its release - 2020, dark, brooding, and late-night all over the place. Excellent.
"Choose Your Weapon" by Scaramanga Silk, who has just seven listeners a month on Spotify, was recently, bizarrely, snapped up on Discogs, selling for over $41,000.
What do you get when you combine the pop of Blondie and Portishead’s trip hop grooves, with some film noir music flair? Essential listening from Australia's Amanda Easton.
With 'Cedars', Field Works finds unifying elements in different musical concepts and poetry in different languages.
1st Base Runner delivers some really good brooding electronica on his latest two singles, as precursors to much more to come.
Knower is able to back up his aspirational goals with some intriguing sounds that call upon big names in electronics like Boards of Canada, while still retaining his personal motifs — in this case, nature.
It's no wonder that Nick de la Hoyde is considered a hot songwriting property in electronic pop circles, as "Stay By Me" has all the qualities of a potential streaming hit.
On 'A.U.', Rachel Lime creates an alternate musical universe all her own that lies somewhere between Kate Bush and Bjork, with the added elements of Korean scales.
Don't let the pseudonym fool you, no techno here, just great jazzy summer sounds from the man himself, Les Techno.
WooliebuGGer brings back the art of the double A-side single with two excellent electronica excursions.
Chromatics' set was beautiful to experience—the sounds, the lights, the feeling of being in an ’80s-inspired arthouse-meets-noir film. Every member played their part to a tee—at once intriguing, entertaining, and drawing the entire crowd deeper into their world.
WaxFeet's "Dream" and its video are like an album of scattered memories and faded photographs, held together by a stainless feeling.
Ryan Summers offers a unique mix of musical styles while delivering intimate songwriting about deprogramming from a cult.
Describing the sound of WaxFeet's 'Blues and Pinks' is hard; like narrating someone else’s dream, but listening to a musical dream can be a thing of beauty.
On 'Sound Condition' Nicholas Gunn strikes a good balance between electronics and melody, not an easy task to always pull off.
On 'Yoreself,' Beatnik Neon is able to stand above your standard electronic-based music, successfully combining a number of different genres.
On his latest EP, 'Revenir', Didacte delivers piano music that shows off his knowledge, technique, and above all imagination.
Sup? are joining the NFT wave with their debut single "I Quit," an electronic/hip-hop ditty that works.
Will Oldham is a true avant-garde pioneer. Whether it's been through acting, poetry, photography, or the multitude of different music representations, he's always pushed the boundaries of what it means to be an "artist."
Chris Ianuzzi delivers two dark tracks that could fit perfectly among any recent thriller/horror movie soundtrack.
Arandel's ‘InBach Vol. 2’ has the capability to appeal to those who like both modern and more classic sounds.
Nightwalk turns out to be an intriguing and promising electro-pop debut and fans of the genre should be on the lookout for Paul Feder’s further ventures.