"Nebulas" by Holy WOW! is a trippy garage rock song with a video to match, the two evoking a strange, spacey mix of Depeche Mode and Pink Floyd.
JoinedSeptember 6, 2017
Articles130
Comments2
Petar loves stories in all shapes and forms, whether they come from the imagination, or are real-life moments, captured and told in imaginative ways. Writing gives him the chance to focus on making his own stories - through words, traveling, having a social excuse to drink a bit more than others, or staying in his pijamas all day long.
Bogan Via and their music are hard to pin down, but if we had to, "Videos" is the kind of tastefully sensual song you’d imagine hearing in a classy strip club.
"I Want You, I Want You Too" is the kind of song you can dance to in the club or daydream to at home. A gently melancholic, electro-pop street-beat gem.
"Orange Is For Love" by Elvyn Rhud is a stoner/psychedelic rock song that can take you on a trip to a number of places, real and imaginary.
If you have to put a label on "Freaks" and "Clouds Collide," it would be Neo-Classicism. But as with most experimental, great music, labels don't suffice.
"Concealed Little Weapon" is a dose of nostalgia for the 90s rock and grunge classics, but with its talented creator's unique and elusive touch.
"No Sleep No Sleep" is not only groovy, but groovy that’s masterfully wrapped in a unique musical sheath of a few very different types of genres.
"Hitting The Bricks" is a short history lesson of how to live the life of a full-on rock start, a fasinating true story of talent recognizing talent.
'Morning World' is an incredibly eclectic mix of grunge ballads and bangers that evokes both nostalgia and hope for a better grunge future.
The Soft Underground's "Ghosts" is reminiscent of a dark comedy/drama, letting you seamlessly take in its serious message without enveloping you with too much darkness.
The Soft Underground's "Rachel" has a distinctive rocky energy that feels spontaneous and natural, yet anything but chaotic. It evokes film car chases and Temple of the Dog all at once.
Everyone is entitled to their own film preferences and opinions, and nobody could say who’s right and who’s wrong. All we can do is keep the Kuleshov Effect in mind, try to take the filmmaker’s reputation out of it, and watch a film as it is.
Political art might not always be the kind of art you'd hang on your wall or play back over and over, but it's the kind of art that spurs actual change.
The music video for "Orange is for Love," just like the actual song, is like a David Lynch film, meant to be experienced rather than analyzed.
Going to the cinema nowadays actually means going to the mall. But the cinema experience doesn't begin when lights go down, but when the cinema doors open. Check out some of America's most spectacular and quaint luxury cinemas that still capture that magic.
"How To Win" is a charmingly quaint song by the brother and sister folk duo The Native Sibling that conjures up a bird in a cage that eventually breaks free.
"Distant Wells" is the quintessence of Historian’s eponymous album and their sound altogether – experimental, spacey, dark, and yet, strangely peaceful.
"Away" by Historian is the musical version of the word “away”, but in a palpably off-beat, darker context. A perfect song for a vampire film.
Just like NBA means basketball's highest level, the UFC has become a byword for MMA's best. The UFC's creative promotion and branding deserve some credit.
"Familiar Bell" carries everything we love about Historian - subtle melancholy and spacey melodies that take you to a different, ethereal state of mind.
The "I Found You" music video does exactly what good music videos are meant to do – visually portray the feel of this stylishly simplistic and playful song.
'Dramedies' and dark comedies that don’t make you forget your drama, but help you reevaluate it and capture some of its bitter-sweet beauty is the type of cinematic experience with real healing power.
THECLECTIK's "I Found You" is a pleasant, somewhat innocent, yet modern-sounding song which is a rare combination in today’s day and age.
Metaphors, allegory, and satire are very ambitious storytelling approaches that certainly wouldn’t work for all films and ideas, but when done right, the results can be truly eye-opening; they are the sort of art that can change a culture’s course, and usually for the better. And few directors can do it as masterfully as Greek director and screenwriter Yorgos Lanthimos.