We got chance to catch Caroline Polachek at The Anthem in Washington D.C. and she is unlike any other pop star we've ever seen before. A true magician that set the crowd ablaze.
We got chance to catch French-Caribbean soul singer Adi Oasis at the DC9 in Washington D.C. and it was as soulful, funky, sexy, and fierce as any act you'll see this year. Be sure to catch her on tour.
The music was loud and dark and ominous. There was spit and sweat, moshing and crowd surfing, and the D.C. audience just couldn’t seem to get enough. Thanks to Daughters and the triple bill, it was a memorable end to 2019.
Thanks to the IDLES, the energy in the club was brimming with joy, crowd surfing, moshing, and some stage diving. It was basically a love fest and the sold-out crowd couldn’t get enough of it. Very loud, very raucous, and very beautiful; a much needed cathartic release.
It was passionate, powerful, soulful and vulnerable all at the same time. There were elements of funk and experimental R&B, accentuated by her extraordinary vocal range, and the message of the music was heartfelt and sincere.
Miami rockers, Torche, arrived in D.C. last week and unleashed their unique blend of “sludge” and “stoner” metal mixed with genres of “shoegaze” or “dream pop” from their latest album.
Staple crowd pleasers like “K.D.V.” and “Middle Fingers” were expected features of the set, but MISSIO's true measure of growth came in the final song of their set: “I See You”, and the emotional side of the band translated perfectly live.
Plague Vendor were openers for a recent All Them Witches show at the Rock & Roll Hotel in Washington D.C. Here's our collection of shots from a fantastic set from the group.
All Them Witches has a sound deeply rooted in both blues and classic metal: stripped-down, driving rhythms, downtuned, fuzzed-out bass, huge, shredding guitar riffs—all matched by haunting vocals. Check out our full collection of shots from the show.
Arkells eased into the energy of the evening with their driving track “Relentless” off 2018’s 'Rally Cry.' For most bands, a song like this would have left the energy nowhere to go but crashing down—but Arkells are not most bands, and their fans are not most crowds.
Our collection of photos from a great show at the Rock & Roll Hotel in Washington D.C., headlined by Amber Run and featuring Ellevator.
Our collection of photos from a great show at the DC9 Nightclub in Washington D.C., headlined by Billy Raffoul and featuring Stranger In The Alps.
We got chance to catch British alt-rockers Placebo at the 9:30 Club in Washington D.C. on their first North American tour in 9 years, and they did not disappoint.
We caught The Bobby Lees at the DC9 in Washington D.C. and it felt like we were being transported into a '70s punk rock Firebird time machine. A must see live, to say the least.
Now in its sixth year, the indie-pop festival is held for two days every October and showcases more than just great music. It helps to promote the local vendors, artisans, and establishments in the developing Northeast D.C. neighborhood.
What appeared onstage, through the smoke and the deep red stage lighting, could almost be described as Genghis Khan warriors, heavy metal style, with colorfully ornate traditional/tribal instruments. It was quite a sight to behold!
Sub-Radio’s sound wanders through bits of electronica, americana, funk/soul, all while firmly keeping planted in an infectious modern pop sound. Beyond ecstatic that they sold out this hometown finale, they put on a performance that tore the house down.
Chromatics' set was beautiful to experience—the sounds, the lights, the feeling of being in an ’80s-inspired arthouse-meets-noir film. Every member played their part to a tee—at once intriguing, entertaining, and drawing the entire crowd deeper into their world.
The spectacle of blazing lights and smoke matched perfectly with the sonic hailstorm the band brought to the stage. In recent years, 9:30 Club has shied away from booking many heavy bands, and Architects’ set was the perfect re-introduction of a raging mosh pit to the venue’s storied floor.
Music can transcend its utility to become a powerful weapon, and grandson understands how to wield it in the service of the righteous anger of their message while balancing the entertainment of the crowd. Check out our full collection of shots from the show.
Now in its seventh year, this underground festival is going strong celebrating punk culture and, in the spirit of the DIY community, including the independent labels/records, friends and family, national and international bands.
Our collection of photos from a great show at the Echostage in Washington D.C., headlined by Tritonal.
Our collection of photos from a great show at the Black Cat in Washington D.C., headlined by Flasher and featuring Public Practice and Gong Gong Gong.
Florence +the Machine's High as Hope tour has brought lessons in intimacy and hope to audiences across the country.
