George Clooney has been a movie star for 25 years now, but the best movie he's ever been a part of — 'Michael Clayton' — is one from 2007 that was a flop at the time of its release.
Whether it's the just released 'Don't Look Up' or 2011's 'Contagion', the record viewing numbers reveal one thing: there's just something about the end of the world. What is it that keeps drawing us in to watch the world collapse?
'Nobody' is the new Bob Odenkirk-led film arriving February 2021, and it promises the same highly entertaining, over-the-top action as 'John Wick.'
Though it paints Alan Dershowitz as a hero, 'Reversal of Fortune' was a fascinating "true story" legal procedural that examined both loveless blue blood marriages, and of the conundrum of lawyers defending a client who very well may be guilty.
'You' has performed a feat unimaginable by most series nowadays: producing a leading character that in theory is downright despicable but somehow garners the unwarranted sympathy of the audience.
This season felt a bit off pacing wise (and not just due it's disjointed nature) and I didn't find myself clamoring for the next episode like I was in the first season, but it progressively got stronger towards the end with some great scenes and their best season finale yet, leaving me re-energized and excited to see what will unfold in Season 4.
Erotic thrillers are regarded as a unique subgenre of thriller films whose roots can be traced back as early as the ‘60s, peaking in the '90s, and coming back with a vengeance in the last decade.
Rising actress Zamani Wilder gives us an inside scoop on her latest role in Blumhouse's upcoming thriller 'American Refugee', as well as shares her inspiring journey from joining pageants in Atlanta to starring in hit films in Hollywood, and more.
'The Undoing' has managed to capture the zeitgeist, and the curiosity and intrigue compelled me to get to the bottom of the hype and why its finale led to mixed reviews from audiences worldwide.
Whatever form the film takes, the idea of Daniel Craig's private eye parachuting into another case, in another part of the country, with another eccentric wealthy family, has virtually unlimited potential for future films.
I think it says a whole lot when a director has to explain what his film is trying to say; and Aronofsky certainly had something to say once the audience had enough to time to compose themselves after seeing Mother!...do we believe him?
Aronofsky's latest endeavor was marketed as a horror film, but it turned out to be so much more than anybody asked for or expected.