What happens when lifelong rock fans get old? They spread memes. I can’t imagine anything less rock ’n’ roll than complaining on Facebook about the musical tastes of kids these days.
In 1967, Arthur Lee and his then stable band, Love, came up with Forever Changes - widely considered to be their, and one of rock’s greatest masterpieces. While making some impact in Europe, in particular England, at the time, the album was practically ignored in the US. Now, 50 years later, the album is being recognized for what it is (even by Rolling Stone, who missed its greatness the first time around).
Whether John Fahey intentionally shied away from 'success' is a debatable thing, he himself, in one of his famous quotes said - “from a social perspective, I am looking for friends, not acolytes.” But his musical, visual, verbal, and even eccentric legacy remain, as they should be.
Julian Cope, a guy who once titled an album "Too Freud To Rock and Roll, Too Jung To Die", has a list of things he’s done or is doing, besides playing music, probably as long as anybody’s arm. Whether he's been able to turn himself into a mythological figure may not be certain yet, but he is certainly running close. Oh, and mythology is definitely one of the things he dabbles in, with dabble being an understatement.
The Go-Betweens produced some of the most mutant, evocative intellectual pop, that never succeeded at the time it was made, but lingers on til this day.
Our collection of photos from a fantastic show at the Rock & Roll Hotel in Washington D.C., headlined by Hideout, Cullen Omori, and Cults.
Tranquility Base Hotel & Casino can be best described as hallucinogenic lounge music that's left-field, inventive, and smoldering. A highly unexpected direction from an established band that could've easily played things safe, but instead chose to take major risks that paid off in one of their most exhilarating albums to date.
Ty Segall pulls out the full arsenal on Freedom's Goblin delivering a 19-track ride that goes all over the place. In lesser hands it might feel disjointed or convoluted but with him it just shows how truly gifted he is and just how in tune he is with the craft of rock. He clearly marches to the sound of his own beat and it's incredibly exhilarating. Freedom's Goblin is one hell of a ride and further proof that he may just be a mad musical genius.
While Django Django's previous efforts felt a bit more artsy in intention, the experimentation on Marble Skies feels done with the sole purpose of creating something fun. And it is fun, it's a lighthearted, head nodding romp full of brilliant melodies and earworm hooks. It's almost impossible not to be pulled into their joyous orbit.
Sonically, Who Built the Moon? is vastly more extensive than his past couple of projects and he sounds like he's got much more of a pep to his step. Noel Gallagher's latest feels refreshingly retro yet inventive and new and in turn makes for a much more interesting listen as a whole. This might just be the second wind he's really needed.
How do you go from a #1 hit and being one of the most successful so-called blue-eyed soul artists and considered the progenitor of power pop by ecstatic critics, to never really making a success story out of it, to a patchy solo career and odd-jobs, then back to being a producer and musical encyclopedia of rock and roll, to almost fully rehabilitating your career by the end? Well, you would have to ask Alex Chilton, the man from Memphis who went through all of that - that is, if he were still with us.
[dropcap size=big]T[/dropcap]here is power in a band’s genuine relationship with their fans. A tangible connection that is somehow greater than...
In my experiences, just mentioning Red Hot Chili Peppers is often enough to spark a full-on debate. I think this speaks to the fact that they're just one of those bands that you either love or hate. So, like any millennial would, I posted a status on Facebook asking my friends to tell me how they feel about them, and they sure came through.
In cooperation with the Rock & Roll Hall of Fame, the New York Metropolitan Museum of Art is organizing the first ever exhibition of rock and roll instruments, titled “Play It Loud: The Instruments of Rock & Roll.”
We talk about the possible demise of Rolling Stone as it's going up for sale for the first time since it's start in 1967. We talk about how we think they've lost their true identity as the counterculture bible and how they could possibly get it back. We finish things by talking about new albums we've been listening to like Jhené Aiko, Rapsody, Queens of the Stone Age, and the Foo Fighters.
Maybe the ‘old fashioned’ rock critics have further retreated into the online fringes of their personal websites and academic research, even further than they did last year. But luckily, they are still writing books.
Oftentimes music documentaries are aimed squarely at their respective fandoms, but there’s quite a few that should be viewed from a much wider cultural perspective. Here's a list of some that should be essential viewing.
In the Manic Street Preachers' latest, resistance may be futile but they're one of the last warriors still fighting to their last breath. It's solid raucous rock with a touch of punk spirit that gets the blood flowing and has you ready to stand up and fight.
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