I’ll admit that I’ve never understood the appeal of Teyana Taylor, apart from the obvious physical aspects, the little amount of music she’s put out has never seemed to match the level of fame and fandom she’s obtained. Nonetheless, I was still intrigued by the prospects of her own all Kanye produced project, joining the likes of Nas, Pusha T, and Kid Cudi, as this would be her first true introduction to the music world after all of these years. I was surprised, mostly pleasantly, by what I heard on the project. I was fully expecting a more upbeat, bouncier, pop record aimed at shooting her into true stardom, but what we got couldn’t have been further from that. K.T.S.E. (Keep The Same Energy) was much more soulful, chilled out, and low key than I would have ever imagined. Her vocals were strong and she showed me a level of true artistry I never knew she had. Kanye’s production was also particularly strong – more subdued than we normally get from Ye, but it really pulled the emotion of the songs to the surface. But, aside from those strong aspects of the project, I still did not find Taylor to be all that interesting of an artist or songwriter. I went through all 8 tracks still without getting a clear picture of who she was as an artist or a person (with the exception of “Rose In Harlem”), and it just didn’t make that strong of a statement. And for such a subdued project without any smash hits, that’s a problem – despite it still being a pleasant listen.
'Liberation' certainly feels like a more genuine representation of her true artistic self and there are a lot of moments of interesting forays into different sounds and genres. I would have liked to have heard more sounds in that direction but all in all, this is the most interesting I've found Christina Aguilera in a long time.Read full review
Despite 'so sad so sexy' running a bit tired, Lykke Li's voice still sounds fantastic on the somber backdrops and she's still puts out some massive chorus that are perfect for the festival rounds. Just don't expect anything groundbreaking from it.Read full review
If it ain’t ’bout blessings I can’t even address it I just bought my third house No album out and I got ’em asking ‘What do she do?’ I do everything I move everything Put that on my wedding ring Put that on my baby name
– “Rose In Harlem”
Have you heard K.T.S.E.? What’d you think about it? Do you think it made a strong statement for her as an artist? Let me know in the comments below and be sure to leave your own ratings and reactions for the album.
'K.T.S.E.' was much more soulful, chilled out, and low key than I would have ever imagined, and while she showed a level of true artistry I never knew she had and Ye's production was generally strong, I went through all 8 tracks still without getting a clear picture of who she was as an artist or a person, and it just didn't make that strong of a statement - despite it being a pleasant listen.