The Suitcase Junket may have welcomed more people into the studio, but live it’s still a solo affair—which isn’t to say he doesn’t get a little help. With a quick wit and wry smile, Lorenz pulls the crowd in and makes them as much a part of the performance as himself. Check out our full collection of shots from the show.
From the shimmering opening chords of “Bottle It Up” to the galloping closing notes of “Troubled End,” the show was a rare and special one in my books and I can’t wait to see where Jade Jackson goes from here.
Our newly announced "Concert Series" is a celebration of photography and some of photographers' best shots over the past year or so. Season 1 features 4 distinct apparel pieces and is available now!
Molly Tuttle was the opener for the recent Old Crow Medicine Show concert at the Ryman Auditorium in Nashville, TN. Here's our collection of shots from a fantastic set.
The evening was truly one high point after another as David dove into the stories behind many songs and poured his heart and soul into every note.
Her show started with a bang: the staccato bass of “Sinner” pulsing through the venue and Leilani’s voice tore through the fog, breaking occasionally with emotion and effort. From there, we were off like a shot.
Sub-Radio’s sound wanders through bits of electronica, americana, funk/soul, all while firmly keeping planted in an infectious modern pop sound. Beyond ecstatic that they sold out this hometown finale, they put on a performance that tore the house down.
What appeared onstage, through the smoke and the deep red stage lighting, could almost be described as Genghis Khan warriors, heavy metal style, with colorfully ornate traditional/tribal instruments. It was quite a sight to behold!
It may only be the second year of the 'Sea.Hear.Now Festival' but with nearly 30 diverse bands on 3 stages, art installations, surfers, and even mermaids, it’s easy to see why it's creating buzz.
The book collects, for the first time, more than 200 of Spike Jonze's personal photographs with the Beastie Boys and will be released March of this year.
The exhibition titled, 'Contact High: A Visual History of Hip-Hop', was curated by Vikki Tobak and features intimate looks at some of the genre's most iconic images.
Each class is taught by professional photographers and they cover a variety of different genres, photography fundamentals, and even one on the art of making music videos.
The spectacle of blazing lights and smoke matched perfectly with the sonic hailstorm the band brought to the stage. In recent years, 9:30 Club has shied away from booking many heavy bands, and Architects’ set was the perfect re-introduction of a raging mosh pit to the venue’s storied floor.
Pony Bradshaw were openers for a recent Jade Jackson show at the Mercy Lounge in Nashville, TN. Here's our collection of shots from a fantastic set from the group.
My first night at the Ryman was also my first time seeing Old Crow Medicine Show in several years, and while the lineup had inevitably changed, their rebel spirit was still there - from the opening breakneck pace of “Tear It Down” to the final ephemeral notes of “Will the Circle Be Unbroken.”
Rodrigo y Gabriela brought their signature propulsive performance to bear song after song—punctuated by quieter moments of conversation where both ruminated on the individual and collective journeys that brought them to this point. Check out our full collection of shots from a great show.
Chromatics' set was beautiful to experience—the sounds, the lights, the feeling of being in an ’80s-inspired arthouse-meets-noir film. Every member played their part to a tee—at once intriguing, entertaining, and drawing the entire crowd deeper into their world.
Miami rockers, Torche, arrived in D.C. last week and unleashed their unique blend of “sludge” and “stoner” metal mixed with genres of “shoegaze” or “dream pop” from their latest album.
It was passionate, powerful, soulful and vulnerable all at the same time. There were elements of funk and experimental R&B, accentuated by her extraordinary vocal range, and the message of the music was heartfelt and sincere.
Thanks to the IDLES, the energy in the club was brimming with joy, crowd surfing, moshing, and some stage diving. It was basically a love fest and the sold-out crowd couldn’t get enough of it. Very loud, very raucous, and very beautiful; a much needed cathartic release.
Now in its sixth year, the indie-pop festival is held for two days every October and showcases more than just great music. It helps to promote the local vendors, artisans, and establishments in the developing Northeast D.C. neighborhood.
The music was loud and dark and ominous. There was spit and sweat, moshing and crowd surfing, and the D.C. audience just couldn’t seem to get enough. Thanks to Daughters and the triple bill, it was a memorable end to 2019.
At this year’s globalFEST the music was as diverse, dynamic, and vibrant as ever. With 12 acts on three stages, artists traveled from Korea, Hungary, Brazil, Senegal, Algeria, France, West Africa, Tibet, the Louisiana bayou and beyond.
MoMA is continuing to find a way to stay connected with its visitors and is offering a free five-part online course series dealing with contemporary art, fashion, and photography.