They call him O.G. But O.G. doesn't only stand for "Opera Ghost". It means 'original'. Foundational. And the Phantom of the Opera is is the O.G. indie artist.
She Brought Me Gasoline is able to fashion Americana to their own liking, without giving any indication that they hail from Mount Medvednica and not somewhere in the Appalachians.
'Morning World' is an incredibly eclectic mix of grunge ballads and bangers that evokes both nostalgia and hope for a better grunge future.
Thirty Seconds to Mars try their hand at a politically charged record but they ultimately come up well short of saying or adding anything worthwhile to the conversation. It's essentially an album that's full of vapid buzz words/phrases set to painfully generic electro-infused pop rock. It's not a "terrible" album but it's not a particularly compelling one either.
I'm not sure if WhoMadeWho was aided by any psychedelics in the creation of Through The Walls but he managed to craft one atmospheric, contemplative, trippy musical journey, and I can dig it.
'Away' is the brainchild of award-winning Latvian animator, Gints Zilbalodis, and while this is his directorial feature debut, he has demonstrated sophistication and proficiency in the craft of storytelling and animation.
'Night Flight', a precursor to MTV, and long-time indie label Sub Pop are joining forces to produce a streaming service that will be dedicated to the discovery and support of emerging and alternative artists.
Emmy award-winning indie duo The Bergamot’s new record 'Mayflies' is a dreamy, melancholic album that conjures up Still Corners with a unique twist.
Sonically and melodically The Wombat's latest album is a beautiful record who's bubbling upbeatness is infectious which creates an interesting dynamic between it's content full of heartbreak and a bad love. This may not be one of the deepest nor thought provoking rock albums I've heard in recent memory but it's certainly one of the most enjoyable. And sometimes that's what it's all about.
"No Sleep No Sleep" is not only groovy, but groovy that’s masterfully wrapped in a unique musical sheath of a few very different types of genres.
Wye Oak's latest feels decidedly more accessible than say "Civilian", but in reality their compositions are as dense and layered as ever, but the new synth and rhythm additions make their sound so much more expansive. And it's the interplay between the bright expansive backdrop and the highly introspective lyrics, sung through her still incredibly beautiful airy vocals, that make this such a fulfilling listen.
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