John Carpenter and Tommy Lee Wallace took a massive chance when they made the Michael Myers-less 'Halloween III: Season Of The Witch' but when critics and fans made clear that they wanted more Michael Myers, that vision dropped dead, and along with it an anthology.
It’s probably accurate to assume that all this distress will inspire its fair share of horror movies. But what trends will emerge in a post-coronavirus world? I’ve got a few theories.
'Underexposed!: The 50 Greatest Movies Never Made', by Joshua Hull, is a fun, engaging read that takes a look at a long list of movies that for whatever reason never saw the light of day. An intriguing collection of "what-ifs."
If this were a novel, the overarching thesis would be that all art is inherently political, whether intentional or unintentional. Beyond that, however, is the concept of ideology – not what our stated beliefs are, but the assumptions, rules, and structures that we take for granted as natural, rather than an imposed worldview.
Breaking an age-old, deeply problematic tradition, Green and McBride's 'Halloween' remake redefines the final girl trope for a new generation, infusing their films with feminist overtones.
In an age of isolation, what can we learn about solitude from a few of our greatest movies?