Jordan Peele's debut film, 'Get Out', did something pretty radical, that arrived right on time: It made a movie about American racial prejudice in which the villains were not rednecks, Klansmen, or other traditional racist bad guys.
'The Perfection' is a Vantablack tragicomedy, and the utilization of color accentuates its themes of sexism, mental illness, the impossible societal expectations of women, navigating lasting, compounding childhood trauma, and the film’s complete reworking of the tired battle-of-the-sexes trope.
