Always intriguing trio, Automatic, are back with new single “Black Box”, infusing their post-punk spirit with spacey trip-hop beats.
Electro duo Goldfrapp made big waves at the turn of the century with their album Supernature, now getting a 20th anniversary reissue.
On Automatic's new single "Lazy", the buzzing trio blend elements of new wave, post-punk, and spacey trip-hop.
Trip-hop pioneer Eric Hilton is excited to present “L’Ocean,” a standout that stays on the '90s trip-hop wavelength.
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Laurence Anne's 'Oniromancie' is one of those truly nocturnal albums that will induce a dreamy state without putting you to sleep.
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Juggling both musical genres and professions, Devin James Fry doesn't drop a single ball on this double single of "Purple Glue"/"No Hope."
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Montreal's Tanuki Project deliver a truly fitting version of modern downtempo/trip hop with their latest EP, 'Adamant.'
The British trip-hop band almost gave up touring completely but is instead teaming up with the University of Manchester to create an environmental blueprint for the industry.
Philly alt band Her New Knife share new remix "kittyriff", contorting the original into a mind melting blend of trip hop.
Nightbus are sharing a new single "Landslide", an ice cool Requiem for a Dream about the addiction of being in a band.
LA three-piece Automatic reveals lead single “Mercury,” a propulsive trip-hop cut heavily inspired by the Stones Throw catalog.
We're excited to premiere Ghost on TV's newest single "Daily Laws," driven by an irresistibly funky bassline and swagger-filled groove.
Our thoughts, opinions, and live reaction to the latest album from JPEGMAFIA & Danny Brown, 'SCARING THE HOES.'
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GEA's "Uusikuu" shows what can you achieve when inspired by the nature that surrounds you.
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Mesmi seems to have taken her time to find and develop her artistic identity rather than rush to stardom, and it shows in her debut LP 'Slow Bloom.'
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King Krule's latest is not an easy album by any measure; you can’t just throw it on and immediately be taken in, it’s meant to be sat with and slowly digested as its many idiosyncrasies slowly reveal themselves. But once I let go of my expectations of what an album is supposed to sound like, I couldn’t help but get pulled into his mad soundscapes of isolation, anxiety, and slightly out of tune instruments. It’s as much a work of art as it is an album, but for someone who loves the odd and experimental as much as I do, The OOZ was about as rich an album as I’ve heard all year.
