There is a new documentary about The Beach Boys coming soon to Disney+, written by Mark Monroe and directed by Frank Marshall.
40 years after the original film, Mel Brooks' 'History of the World: Part II' is finally here. Did it do enough to make the wait worth it?
We're back with special guest Aaron Pruner to talk about the Disney takeover of Fox becoming official, new shows on the horizon that are worth checking out, and whether there's too many streaming services out there to be sustainable.
'Swarm' is Donald Glover's latest foray into TV, and it combines all of the surreal elements he was building to in 'Atlanta' (i.e. Teddy Perkins), Beyoncé's infamous "Beyhive" following, and the psychological horror of iconic films like 'American Psycho.' Is he the next great mind in horror?
The revolutionary medium, entitled "Ionic Originals," seeks to provide a sound that vanquishes the limitations seen in vinyl, CDs, and digital streaming.
Let's explore the rise of sports streaming, the emerging online sports fandoms, and the new tech shaping our viewing experiences.
To many people's shock, Apple TV's 'CODA' won three Oscars this year, let’s take a look into the factors that contributed to it’s remarkable success and how it will pave the way for streamers in the future.
In a major shakeup, Universal Music Group has removed it's massive catalog of music from TikTok. Do they really care about the artists? Let's chat.
The Oscars are in crisis and they've tried several changes over the years that have all largely failed. There's no easy fix but, I think the answer has one solution: get the Oscars the hell off of network TV.
We're back and joined by guests and frequent contributors Shannon Griffiths and Stephen Silver to talk about the latest happenings in film and TV - what is must watch, the recent wave of blockbuster films, and releases just around the corner. And we discuss whether we think 'fanboyism' has started to become to toxic to the very things they love.
Why would a business that has made so much money running full seasons at a time switch to a model in which some of those shows air on a weekly basis?
Nick Cave, the Australian singer-songwriter, is releasing four concert films for free across most major streaming services.
Hulu announced last week that it has picked up 'History of the World: Part II', as a series, to begin production next year with Mel Brooks as the executive producer.
'Carole King & James Taylor: Just Call Out My Name' chronicles their decades-long friendship and musical collaboration and will premiere on CNN.
On what would have been the Marvel Comics legend’s 100th birthday, Disney+ announced that it will air an original documentary on Stan Lee that will arrive sometime in 2023.
Crunchyroll has recently announced that it will add the anime film Dragon Ball Super: Super Hero to its streaming platform starting July 12.
To kick 2022 off the Foo Fighters just released online the full video of their 2021 summer show at Madison Square Garden along with Dave Grohl's new Hanukkah Sessions.
Fuji Rock Festival is back in full form and fans around the world can watch selected shows and interviews live on YouTube.
Netflix has denied it was getting into gaming but now, through its official Twitter account, Netflix contacted E3 and requested an invitation to the biggest gaming event around.
We got a chance to talk to rising actor Katherine Evans about her role in 'The Mysterious Benedict Society', her road to becoming an actor, experiences on set, and much more.
Tetona Jackson, a multi-talented actor and figure skater, sat down with us to talk about her starring role on Peacock's first-ever holiday film, how she got her start in her career, advice to other aspiring actors, and more.
Netflix's new anime series My Daemon is set to premiere November 23rd, with the reveal of a new trailer.
The service is called Crescent City Sounds and features 27 albums picked by a community of local jurors.
The Metropolitan Opera has just announced that it would begin live streaming some operas directly into living rooms for customers who live far from cinemas that broadcast its productions.