A lot of the Coens brothers' movies are dark, and a lot of them are violent, but none are as downright bleak as 'No Country for Old Men' - arguably the best film in their steep catalog.
'Hail, Caesar!', which came out five years ago this month, feels an awful lot like it was assembled from 8 or 10 ideas the Coen brothers had been kicking about for the bulk of their careers.