Suburbia has enthralled filmmakers in the visual mediums of film since the creation of the post-war nuclear family in the 1950s, serving as a setting, motif, and breeding ground for themes, critiques, and analyses of the culture it's spawned in our collective zeitgeist.
If this were a novel, the overarching thesis would be that all art is inherently political, whether intentional or unintentional. Beyond that, however, is the concept of ideology โ not what our stated beliefs are, but the assumptions, rules, and structures that we take for granted as natural, rather than an imposed worldview.