I couldn't help but notice the latest craze for Netflix's 'Crash Landing on You', and as someone who has never developed an interest in K-dramas, I was eager to find out how and why this Korean wave of culture has stolen hearts.
In our first show of the new decade we discuss the tragic passing of Kobe, the growing debate about Oprah, the Supreme x Tupac controversy, Big Sean finally addressing Kendrick Lamar, and our thoughts about the Grammys and Oscars.
Widely regarded as a nearly flawless film, 'Parasite' (2019) by South Korean director Bong Joon-ho has become an international cinematic sensation, but it wasn't an easy road for Bong Joon-ho to get here.
The 2010s have brought to cinema an almost exponential rise in diversity, renowned directors have released acclaimed opuses, and while the Marvels and Star Wars of the industry have gobbled up studio budgets, independent creators have still been getting it done. Don't listen to the haters--cinema is alive and well.
Even the most popular films that contend for Best Picture usually inspire at least some level of backlash, but 'Parasite' never did; that is, until it actually won...
'Parasite' was the big winner at this year's Oscars, and Bong Joon-ho's success could (and should) open doors for other traditionally overlooked filmmakers.
The 2020 Oscar nominations are in, and not everyone is thrilled by the results; personally, I was surprised by how much they got right but it's certainly not a flawless list.