Albert Ayler, never getting the wider recognition he truly deserved, unleashed a free-form musical exploration that went beyond the boundaries of jazz or any other music that included everything he experienced musically – from church spirituals, New Orleans and Army brass music, to world folk forms, to free improvisation – any and all of these themes, often all at the same time.
The 1990s were a time when a lot of filmmakers made movies that were meant to function as manifestos on the political climate of the day, and probably the weirdest one was 'Bulworth.'