The 1990s were a time when a lot of filmmakers made movies that were meant to function as manifestos on the political climate of the day, and probably the weirdest one was 'Bulworth.'
Albert Ayler, never getting the wider recognition he truly deserved, unleashed a free-form musical exploration that went beyond the boundaries of jazz or any other music that included everything he experienced musically – from church spirituals, New Orleans and Army brass music, to world folk forms, to free improvisation – any and all of these themes, often all at the same time.