No, Netflix Has Not Promised a 17-day Theater Window | Film & TV | LIVING LIFE FEARLESS
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No, Netflix Has Not Promised a 17-day Theater Window 

At the heart of the expected takeover of Warner Bros., in which Netflix and Paramount are both seeking to acquire the venerable movie studio, HBO, and other assets, is the question of whether Netflix, should it emerge victorious in the bidding, will impose Netflix-style release windows on Warner movie releases. 

That has been one reason a lot of observers have rooted against a victory for Netflix, which has reached an agreement to purchase most of what’s now known as Warner Bros Discovery, because another major studio not keeping movies in theaters for a traditional window could pose a dire threat to the movie theater business. 

Netflix, at least so far, has said all the right things about keeping up windows for Warner movies, and that’s likely to be the sort of thing that gets litigated during government review of the merger. 

“There’s been a lot of talk about theatrical distribution, so we want to set the record straight: we are 100% committed to releasing Warner Bros. films in theaters with industry-standard windows,” Netflix said in a statement on December 17. “While this hasn’t been part of our business model until now, we are looking forward to bringing this expertise from Warner Bros. to Netflix.”

So I was somewhat surprised to see a quote everywhere on social media on Friday, which implied something had changed: 

The aggregation account known as Discussing Film stated Friday that “Netflix is reportedly interested in giving a 17-day theatrical window for Warner Bros films once they acquire the studio,” with the “source” listed as Deadline, but no link to any such Deadline story. 

If that were true, it would be a pretty big deal. Except I clicked over to Deadline, and they have no such story alleging that. 

Deadline does have a story about Netflix’s recent theatrical engagements for the Stranger Things finale, showing that theaters made about $25 million from the one-day engagement, for which tickets were not sold, although concession vouchers were. 

In the fourth paragraph of that story, Deadline turned to what the Stranger Things release might mean for Netflix’s theatrical plans going forward. After sharing the quote above, about Netflix’s “100 percent” commitment to “industry standard windows,” the Deadline story says the following: 

The town continues to worry what “traditional” means for Netflix. Sources have told Deadline that Netflix have been proponents of a 17-day window which would steamroll the theatrical business, while circuits such as AMC believe the line needs to be held around 45 days.

That is… a bit thin. We don’t know who the “sources” are — are they inside Netflix? Warners? Paramount? — and we also don’t know what “have been proponents of a 17-day window.” Does “have been” mean currently? Does it refer specifically to Warner movies or Netflix originals? Does it represent any change to Netflix’s previous posture, as of two weeks ago? 

But of course, the aggregators went wild, and treated the 17=day thing like a done deal: 

This is, of course, a common problem in the current social media environment, where fact-checking is often a thing of the past, all engagement is rewarded regardless of its accuracy, and games of telephone like this are a regular occurrence.

The truth is, we’re not likely to know for quite a while who’s going to end up buying Warners, and we probably won’t know the truth about their plans for theatrical for a while after that.

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